Machine musicianship / (Record no. 72983)
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000 -LEADER | |
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fixed length control field | 03554nam a2200541 i 4500 |
001 - CONTROL NUMBER | |
control field | 6267328 |
005 - DATE AND TIME OF LATEST TRANSACTION | |
control field | 20220712204631.0 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
fixed length control field | 151223s2004 maua ob 001 eng d |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
ISBN | 9780262256896 |
-- | ebook |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
-- | electronic |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
-- | electronic |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
-- | electronic |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
-- | |
100 1# - AUTHOR NAME | |
Author | Rowe, Robert, |
245 10 - TITLE STATEMENT | |
Title | Machine musicianship / |
300 ## - PHYSICAL DESCRIPTION | |
Number of Pages | 1 PDF (x, 399 pages) : |
505 0# - FORMATTED CONTENTS NOTE | |
Remark 2 | Machine musicianship -- Symbolic processes -- Sub-symbolic processes -- Segments and patterns -- Compositional techniques -- Algorithmic expression and music cognition -- Interactive improvisation -- Interactive multimedia -- Installations -- Directions. |
520 ## - SUMMARY, ETC. | |
Summary, etc | Musicians begin formal training by acquiring a body of musical concepts commonly known as musicianship. These concepts underlie the musical skills of listening, performance, and composition. Like humans, computer music programs can benefit from a systematic foundation of musical knowledge. This book explores the technology of implementing musical processes such as segmentation, pattern processing, and interactive improvisation in computer programs. It shows how the resulting applications can be used to accomplish tasks ranging from the solution of simple musical problems to the live performance of interactive compositions and the design of musically responsive installations and Web sites.Machine Musicianship is both a programming tutorial and an exploration of the foundational concepts of musical analysis, performance, and composition. The theoretical foundations are derived from the fields of music theory, computer music, music cognition, and artificial intelligence. The book will be of interest to practitioners of those fields, as well as to performers and composers.The concepts are programmed using C++ and Max. The accompanying CD-ROM includes working versions of the examples, as well as source code and a hypertext document showing how the code leads to the program's musical functionality. |
650 #0 - SUBJECT ADDED ENTRY--SUBJECT 1 | |
General subdivision | Computer programs. |
650 #0 - SUBJECT ADDED ENTRY--SUBJECT 1 | |
General subdivision | Musical applications. |
650 #7 - SUBJECT ADDED ENTRY--SUBJECT 1 | |
General subdivision | Reference. |
650 #7 - SUBJECT ADDED ENTRY--SUBJECT 1 | |
General subdivision | Genres & Styles |
-- | Classical. |
856 42 - ELECTRONIC LOCATION AND ACCESS | |
Uniform Resource Identifier | https://ieeexplore.ieee.org/xpl/bkabstractplus.jsp?bkn=6267328 |
942 ## - ADDED ENTRY ELEMENTS (KOHA) | |
Koha item type | eBooks |
264 #1 - | |
-- | Cambridge, Massachusetts : |
-- | MIT Press, |
-- | c2001. |
264 #2 - | |
-- | [Piscataqay, New Jersey] : |
-- | IEEE Xplore, |
-- | [2004] |
336 ## - | |
-- | text |
-- | rdacontent |
337 ## - | |
-- | electronic |
-- | isbdmedia |
338 ## - | |
-- | online resource |
-- | rdacarrier |
588 ## - | |
-- | Description based on PDF viewed 12/23/2015. |
650 #0 - SUBJECT ADDED ENTRY--SUBJECT 1 | |
-- | Computer composition. |
650 #0 - SUBJECT ADDED ENTRY--SUBJECT 1 | |
-- | Real-time programming. |
650 #0 - SUBJECT ADDED ENTRY--SUBJECT 1 | |
-- | Music |
650 #0 - SUBJECT ADDED ENTRY--SUBJECT 1 | |
-- | Artificial intelligence |
650 #7 - SUBJECT ADDED ENTRY--SUBJECT 1 | |
-- | MUSIC |
650 #7 - SUBJECT ADDED ENTRY--SUBJECT 1 | |
-- | MUSIC |
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