Speaking code : (Record no. 73305)
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000 -LEADER | |
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fixed length control field | 03530nam a2200529 i 4500 |
001 - CONTROL NUMBER | |
control field | 6451062 |
005 - DATE AND TIME OF LATEST TRANSACTION | |
control field | 20220712204805.0 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
fixed length control field | 151224s2012 maua ob 001 eng d |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
ISBN | 9780262305228 |
-- | electronic |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
-- | hardcover : alk. paper |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
-- | hardcover : alk. paper |
082 00 - CLASSIFICATION NUMBER | |
Call Number | 005.1 |
100 1# - AUTHOR NAME | |
Author | Cox, Geoff, |
245 10 - TITLE STATEMENT | |
Title | Speaking code : |
Sub Title | coding as aesthetic and political expression / |
300 ## - PHYSICAL DESCRIPTION | |
Number of Pages | 1 PDF (xv, 149 pages) : |
490 1# - SERIES STATEMENT | |
Series statement | Software studies |
520 ## - SUMMARY, ETC. | |
Summary, etc | Speaking Code begins by invoking the "Hello World" convention used by programmers when learning a new language, helping to establish the interplay of text and code that runs through the book. Interweaving the voice of critical writing from the humanities with the tradition of computing and software development, in Speaking Code Geoff Cox formulates an argument that aims to undermine the distinctions between criticism and practice and to emphasize the aesthetic and political implications of software studies. Not reducible to its functional aspects, program code mirrors the instability inherent in the relationship of speech to language; it is only interpretable in the context of its distribution and network of operations. Code is understood as both script and performance, Cox argues, and is in this sense like spoken language--always ready for action. Speaking Code examines the expressive and performative aspects of programming; alternatives to mainstream development, from performances of the live-coding scene to the organizational forms of peer production; the democratic promise of social media and their actual role in suppressing political expression; and the market's emptying out of possibilities for free expression in the public realm. Cox defends language against its invasion by economics, arguing that speech continues to underscore the human condition, however paradoxical this may seem in an era of pervasive computing. |
650 #0 - SUBJECT ADDED ENTRY--SUBJECT 1 | |
General subdivision | Philosophy. |
650 #0 - SUBJECT ADDED ENTRY--SUBJECT 1 | |
General subdivision | Syntax. |
700 1# - AUTHOR 2 | |
Author 2 | McLean, Alex |
856 42 - ELECTRONIC LOCATION AND ACCESS | |
Uniform Resource Identifier | https://ieeexplore.ieee.org/xpl/bkabstractplus.jsp?bkn=6451062 |
942 ## - ADDED ENTRY ELEMENTS (KOHA) | |
Koha item type | eBooks |
264 #1 - | |
-- | Cambridge, Massachusetts : |
-- | MIT Press, |
-- | c2013. |
264 #2 - | |
-- | [Piscataqay, New Jersey] : |
-- | IEEE Xplore, |
-- | [2012] |
336 ## - | |
-- | text |
-- | rdacontent |
337 ## - | |
-- | electronic |
-- | isbdmedia |
338 ## - | |
-- | online resource |
-- | rdacarrier |
588 ## - | |
-- | Description based on PDF viewed 12/24/2015. |
650 #0 - SUBJECT ADDED ENTRY--SUBJECT 1 | |
-- | Source code (Computer science) |
650 #0 - SUBJECT ADDED ENTRY--SUBJECT 1 | |
-- | Programming languages (Electronic computers) |
650 #0 - SUBJECT ADDED ENTRY--SUBJECT 1 | |
-- | Computer prose. |
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