Zoning China : (Record no. 73616)

000 -LEADER
fixed length control field 03481nam a2200481 i 4500
001 - CONTROL NUMBER
control field 8925388
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20220712204944.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 200108s2019 mau ob 001 eng d
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
ISBN 9780262355872
-- electronic bk.
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
-- electronic bk.
082 04 - CLASSIFICATION NUMBER
Call Number 006.7
100 1# - AUTHOR NAME
Author Li, Luzhou,
245 10 - TITLE STATEMENT
Title Zoning China :
Sub Title online video, popular culture, and the state /
300 ## - PHYSICAL DESCRIPTION
Number of Pages 1 PDF (264 pages).
490 1# - SERIES STATEMENT
Series statement Information policy series
520 ## - SUMMARY, ETC.
Summary, etc An examination of "cultural zoning" in China considers why government regulation of online video is so much more lenient than regulation of broadcast television. In Zoning China, Luzhou Li investigates why the Chinese government regulates online video relatively leniently while tightly controlling what appears on broadcast television. Li argues that television has largely been the province of the state, even as the market has dominated the development of online video. Thus online video became a space where people could question state media and the state's preferred ideological narratives about the nation, history, and society. Li connects this relatively unregulated arena to the "second channel" that opened up in the early days of economic reform���opiracy in all its permutations. She compares the dual cultural sphere to China's economic zoning; the marketized domain of online video is the cultural equivalent of the Special Economic Zones, which were developed according to market principles in China's coastal cities. Li explains that although the relaxed oversight of online video may seem to represent a loosening of the party-state's grip on media, the practice of cultural zoning in fact demonstrates the the state's strategic control of the media environment. She describes how China's online video industry developed into an original, creative force of production and distribution that connected domestic private production companies, transnational corporations, and a vast network of creative labor from amateurs to professional content creators. Li notes that China has increased state management of the internet since 2014, signaling that online and offline censorship standards may be unified. Cultural zoning as a technique of cultural governance, however, will likely remain.
650 #0 - SUBJECT ADDED ENTRY--SUBJECT 1
General subdivision Law and legislation
856 42 - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier https://ieeexplore.ieee.org/xpl/bkabstractplus.jsp?bkn=8925388
942 ## - ADDED ENTRY ELEMENTS (KOHA)
Koha item type eBooks
264 #1 -
-- Cambridge :
-- The MIT Press,
-- 2019
264 #2 -
-- [Piscataqay, New Jersey] :
-- IEEE Xplore,
-- [2019]
336 ## -
-- text
-- rdacontent
337 ## -
-- electronic
-- isbdmedia
338 ## -
-- online resource
-- rdacarrier
588 0# -
-- Title from details screen.
650 #0 - SUBJECT ADDED ENTRY--SUBJECT 1
-- Internet videos
651 #7 - SUBJECT ADDED ENTRY--SUBJECT 2
-- China.

No items available.