Video Structure Meaning (Record no. 85648)
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| 000 -LEADER | |
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| fixed length control field | 03432nam a22004815i 4500 |
| 001 - CONTROL NUMBER | |
| control field | 978-3-031-02320-0 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20240730164417.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 220601s2019 sz | s |||| 0|eng d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| ISBN | 9783031023200 |
| -- | 978-3-031-02320-0 |
| 082 04 - CLASSIFICATION NUMBER | |
| Call Number | 004.6 |
| 100 1# - AUTHOR NAME | |
| Author | O'Connor, Brian C. |
| 245 10 - TITLE STATEMENT | |
| Title | Video Structure Meaning |
| 250 ## - EDITION STATEMENT | |
| Edition statement | 1st ed. 2019. |
| 300 ## - PHYSICAL DESCRIPTION | |
| Number of Pages | XIX, 79 p. |
| 490 1# - SERIES STATEMENT | |
| Series statement | Synthesis Lectures on Information Concepts, Retrieval, and Services, |
| 505 0# - FORMATTED CONTENTS NOTE | |
| Remark 2 | Preface -- Acknowledgments -- Introduction -- Five Stories to a Model of Video Structure -- Coda: Provocations on Filmic Retrieval, Hunting, Meandering, and Browsing -- Bibliography -- Author Biographies . |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc | For over a century, motion pictures have entertained us, occasionally educated us, and even served a few specialized fields of study. Now, however, with the precipitous drop in prices and increase in image quality, motion pictures are as widespread as paperback books and postcards once were. Yet, theories and practices of analysis for particular genres and analytical stances, definitions, concepts, and tools that span platforms have been wanting. Therefore, we developed a suite of tools to enable close structural analysis of the time-varying signal set of a movie. We take an information-theoretic approach (message is a signal set) generated (coded) under various antecedents (sent over some channel) decoded under some other set of antecedents. Cultural, technical, and personal antecedents might favor certain message-making systems over others. The same holds true at the recipient end-yet, the signal set remains the signal set. In order to discover how movies work-their structure and meaning-we honed ways to provide pixel level analysis, forms of clustering, and precise descriptions of what parts of a signal influence viewer behavior. We assert that analysis of the signal set across the evolution of film-from Edison to Hollywood to Brakhage to cats on social media-yields a common ontology with instantiations (responses to changes in coding and decoding antecedents). |
| 700 1# - AUTHOR 2 | |
| Author 2 | Anderson, Richard L. |
| 856 40 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | https://doi.org/10.1007/978-3-031-02320-0 |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) | |
| Koha item type | eBooks |
| 264 #1 - | |
| -- | Cham : |
| -- | Springer International Publishing : |
| -- | Imprint: Springer, |
| -- | 2019. |
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| -- | computer |
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| -- | rdamedia |
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| -- | online resource |
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| -- | text file |
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| -- | rda |
| 650 #0 - SUBJECT ADDED ENTRY--SUBJECT 1 | |
| -- | Computer networks . |
| 650 14 - SUBJECT ADDED ENTRY--SUBJECT 1 | |
| -- | Computer Communication Networks. |
| 830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE | |
| -- | 1947-9468 |
| 912 ## - | |
| -- | ZDB-2-SXSC |
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