Waves and forms : electronic music devices and computer encodings in China / Basile Zimmermann.
By: Zimmermann, Basile.
Contributor(s): IEEE Xplore (Online Service) [distributor.] | MIT Press [publisher.].
Material type: BookSeries: Inside technology: Publisher: Cambridge, Massachusetts ; MIT Press, [2015], c2015Distributor: [Piscataqay, New Jersey] : IEEE Xplore, [2015]Description: 1 PDF (xii, 277 pages) : illustrations.Content type: text Media type: electronic Carrier type: online resourceISBN: 9780262328159.Subject(s): Science -- Social aspects -- China | Music and technology -- China | Technology -- Social aspects -- China | Electronic music -- China -- History and criticism | Epitaxial layers | Excitons | Nitrogen | Radiative recombination | Silicon carbide | Temperature measurementGenre/Form: Electronic books.Additional physical formats: Print version: No titleDDC classification: 786.70951 Online resources: Abstract with links to resource Also available in print.Summary: Technical objects constrain what users do with them. They are not neutral entities but embody information, choices, values, assumptions, or even mistakes embedded by designers. What happens when a technology is designed in one culture and used in another? What happens, for example, when a Chinese user is confronted by Roman-alphabet-embedded interfaces? In this book, Basile Zimmermann examines the relationship between technical objects and culture in contemporary China, drawing on concepts from science and technology studies (STS). He presents a new theoretical framework for "culture" based on the notions of waves and forms, which provides a powerful descriptive toolkit for technology and culture. The materials Zimmermann uses to develop and illustrate his theoretical arguments come from three groups of case studies about the use of technical devices in today's China. The first and most extensive group consists of observations of electronic music devices in Beijing; the second is a study of a Chinese networking site, "Happy Network"; and the third is a collection of personal, small-scale observations on the way Chinese characters behave when located in alphabet-encoded devices such as mobile phones, web pages, or printed documents. Zimmermann discusses well-known frameworks from STS and combines them with propositions and topics from Chinese studies. Each of the case studies advances his theoretical argument. Zimmermann's account shows how cultural differences can be integrated into STS research, and how sinologists can turn their attention from ancient texts and traditional art to everyday things in present-day China.Includes bibliographical references (p. [255]-268) and index.
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Technical objects constrain what users do with them. They are not neutral entities but embody information, choices, values, assumptions, or even mistakes embedded by designers. What happens when a technology is designed in one culture and used in another? What happens, for example, when a Chinese user is confronted by Roman-alphabet-embedded interfaces? In this book, Basile Zimmermann examines the relationship between technical objects and culture in contemporary China, drawing on concepts from science and technology studies (STS). He presents a new theoretical framework for "culture" based on the notions of waves and forms, which provides a powerful descriptive toolkit for technology and culture. The materials Zimmermann uses to develop and illustrate his theoretical arguments come from three groups of case studies about the use of technical devices in today's China. The first and most extensive group consists of observations of electronic music devices in Beijing; the second is a study of a Chinese networking site, "Happy Network"; and the third is a collection of personal, small-scale observations on the way Chinese characters behave when located in alphabet-encoded devices such as mobile phones, web pages, or printed documents. Zimmermann discusses well-known frameworks from STS and combines them with propositions and topics from Chinese studies. Each of the case studies advances his theoretical argument. Zimmermann's account shows how cultural differences can be integrated into STS research, and how sinologists can turn their attention from ancient texts and traditional art to everyday things in present-day China.
Also available in print.
Mode of access: World Wide Web
Description based on PDF viewed 12/23/2015.
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