000 03452nam a22005775i 4500
001 978-3-642-27898-3
003 DE-He213
005 20200420211739.0
007 cr nn 008mamaa
008 130417s2013 gw | s |||| 0|eng d
020 _a9783642278983
_9978-3-642-27898-3
024 7 _a10.1007/978-3-642-27898-3
_2doi
050 4 _aHD28-70
072 7 _aKNT
_2bicssc
072 7 _aJFD
_2bicssc
072 7 _aBUS070060
_2bisacsh
082 0 4 _a658
_223
245 1 0 _aMusic Business and the Experience Economy
_h[electronic resource] :
_bThe Australasian Case /
_cedited by Peter Tschmuck, Philip L. Pearce, Steven Campbell.
264 1 _aBerlin, Heidelberg :
_bSpringer Berlin Heidelberg :
_bImprint: Springer,
_c2013.
300 _aIX, 229 p.
_bonline resource.
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
505 0 _aFrom Discord to Harmony: Connecting Australian Music and Business Through the Experience Economy -- Australian Copyright Regimes and Political Economy of Music -- New Music Production Modes and Indigenous Music in North Queensland and the Torres Strait -- Australian Independent Music and the Experience Economy -- Recorded Music Sales and Music Licencing in Australia, 2000-2011 -- P2P File-Sharing: How Does Music File-Sharing Affect Recorded Music Sales in Australia?- Digital Distribution Models Reviewed -- The Landscape of Musical Festivals in Australia -- The Influence of Dirty Pool on the Australian Live Music Industry -- Building Brands with Music -- Australian Music and Aussie Team Sports -- The Valuation of Music in Australia: A Chart Analysis 1988-2011 -- Enterprise Learning in Australasian Tertiary Music Education.
520 _aMusic Business and the Experience Economy is the first book on the music business in Australasia from an academic perspective. In a cross-disciplinary approach, the contributions deal with a wide-range of topics concerning the production, distribution and consumption of music in the digital age. The interrelationship of legal, aesthetic and economic aspects in the production of music in Australasia is also highlighted as well as the emergence of new business models, the role of P2P file sharing, and the live music sector. In addition, the impact of the digital revolution on music experience and valuation, the role of music for tourism and for branding, and last but not least the developments of higher music education, are discussed from different perspectives.
650 0 _aBusiness.
650 0 _aCulture
_xStudy and teaching.
650 0 _aMusic.
650 0 _aIndustrial management.
650 0 _aE-commerce.
650 0 _aLaw and economics.
650 0 _aManagement.
650 1 4 _aBusiness and Management.
650 2 4 _aMedia Management.
650 2 4 _aMusic.
650 2 4 _aRegional and Cultural Studies.
650 2 4 _aCultural Management.
650 2 4 _aLaw and Economics.
650 2 4 _ae-Commerce/e-business.
700 1 _aTschmuck, Peter.
_eeditor.
700 1 _aPearce, Philip L.
_eeditor.
700 1 _aCampbell, Steven.
_eeditor.
710 2 _aSpringerLink (Online service)
773 0 _tSpringer eBooks
776 0 8 _iPrinted edition:
_z9783642278976
856 4 0 _uhttp://dx.doi.org/10.1007/978-3-642-27898-3
912 _aZDB-2-SBE
942 _cEBK
999 _c50557
_d50557