000 | 02875nam a22005175i 4500 | ||
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001 | 978-3-319-00107-4 | ||
003 | DE-He213 | ||
005 | 20200420221254.0 | ||
007 | cr nn 008mamaa | ||
008 | 130524s2013 gw | s |||| 0|eng d | ||
020 |
_a9783319001074 _9978-3-319-00107-4 |
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024 | 7 |
_a10.1007/978-3-319-00107-4 _2doi |
|
050 | 4 | _aTA365-367.5 | |
072 | 7 |
_aTTA _2bicssc |
|
072 | 7 |
_aTEC001000 _2bisacsh |
|
082 | 0 | 4 |
_a620.2 _223 |
245 | 1 | 0 |
_aSound - Perception - Performance _h[electronic resource] / _cedited by Rolf Bader. |
264 | 1 |
_aHeidelberg : _bSpringer International Publishing : _bImprint: Springer, _c2013. |
|
300 |
_aXV, 389 p. _bonline resource. |
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336 |
_atext _btxt _2rdacontent |
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337 |
_acomputer _bc _2rdamedia |
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338 |
_aonline resource _bcr _2rdacarrier |
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347 |
_atext file _bPDF _2rda |
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490 | 1 |
_aCurrent Research in Systematic Musicology, _x2196-6966 ; _v1 |
|
505 | 0 | _aProduction and Perception Models -- Neurocognition and Evolution -- Applications. | |
520 | _aMusical Performance covers many aspects like Musical Acoustics, Music Psychology, or motor and prosodic actions. It deals with basic concepts of the origin or music and its evolution, ranges over neurocognitive foundations, and covers computational, technological, or simulation solutions. This volume gives an overview about current research in the foundation of musical performance studies on all these levels. Recent concepts of synchronized systems, evolutionary concepts, basic understanding of performance as Gestalt patterns, theories of chill as performance goals or historical aspects are covered. The neurocognitive basis of motor action in terms of music, musical syntax, as well as therapeutic aspects are discussed. State-of-the-art applications in performance realizations, like virtual room acoustics, virtual musicians, new concepts of real-time physical modeling using complex performance data as input or sensor and gesture studies with soft- and hardware solutions are presented. So although the field is still much larger, this volume presents current trends in terms of understanding, implementing, and perceiving performance. | ||
650 | 0 | _aEngineering. | |
650 | 0 | _aMusic. | |
650 | 0 | _aAcoustics. | |
650 | 0 | _aComputational intelligence. | |
650 | 0 | _aAcoustical engineering. | |
650 | 1 | 4 | _aEngineering. |
650 | 2 | 4 | _aEngineering Acoustics. |
650 | 2 | 4 | _aAcoustics. |
650 | 2 | 4 | _aMusic. |
650 | 2 | 4 | _aComputational Intelligence. |
700 | 1 |
_aBader, Rolf. _eeditor. |
|
710 | 2 | _aSpringerLink (Online service) | |
773 | 0 | _tSpringer eBooks | |
776 | 0 | 8 |
_iPrinted edition: _z9783319001067 |
830 | 0 |
_aCurrent Research in Systematic Musicology, _x2196-6966 ; _v1 |
|
856 | 4 | 0 | _uhttp://dx.doi.org/10.1007/978-3-319-00107-4 |
912 | _aZDB-2-ENG | ||
942 | _cEBK | ||
999 |
_c52811 _d52811 |