000			03328nam a2200481 i 4500
001			7845160
003			IEEE
005			20220712204857.0
006			m o d
007			cr |n|||||||||
008			170316s2016 maua ob 001 eng d
015			_zGBB6D6889 (print)
020			_a9780262336765 _qelectronic
020			_z9780262034661 _qhbk.
020			_z0262034662 _qhbk.
035			_a(CaBNVSL)mat07845160
035			_a(IDAMS)0b00006485bb8222
040			_aCaBNVSL _beng _erda _cCaBNVSL _dCaBNVSL
082	0	4	_a026.8083 _223
100	1		_aDe Kosnik, Abigail, _eauthor. _924920
245	1	0	_aRogue archives : _bdigital cultural memory and media fandom / _cAbigail De Kosnik.
264		1	_aCambridge, Massachusetts : _bThe MIT Press, _c2016.
264		2	_a[Piscataqay, New Jersey] : _bIEEE Xplore, _c[2016]
300			_a1 PDF (1 volume) : _billustrations (black and white).
336			_atext _2rdacontent
337			_aelectronic _2isbdmedia
338			_aonline resource _2rdacarrier
504			_aIncludes bibliographical references and index.
506			_aRestricted to subscribers or individual electronic text purchasers.
520			_aThe task of archiving was once entrusted only to museums, libraries, and other institutions that acted as repositories of culture in material form. But with the rise of digital networked media, a multitude of self-designated archivists -- fans, pirates, hackers -- have become practitioners of cultural preservation on the Internet. These nonprofessional archivists have democratized cultural memory, building freely accessible online archives of whatever content they consider suitable for digital preservation. In Rogue Archives, Abigail De Kosnik examines the practice of archiving in the transition from print to digital media, looking in particular at Internet fan fiction archives.De Kosnik explains that media users today regard all of mass culture as an archive, from which they can redeploy content for their own creations. Hence, "remix culture" and fan fiction are core genres of digital cultural production. De Kosnik explores, among other things, the anticanonical archiving styles of Internet preservationists; the volunteer labor of online archiving; how fan archives serve women and queer users as cultural resources; archivists' efforts to attract racially and sexually diverse content; and how digital archives adhere to the logics of performance more than the logics of print. She also considers the similarities and differences among free culture, free software, and fan communities, and uses digital humanities tools to quantify and visualize the size, user base, and rate of growth of several online fan archives.
530			_aAlso available in print.
538			_aMode of access: World Wide Web
588			_aDescription based on PDF viewed 03/16/2017.
650		0	_aFan fiction _xArchival resources. _924921
650		0	_aDigital media _xSocial aspects. _910348
650		0	_aCollective memory. _924922
650		0	_aDigital preservation. _924923
655		0	_aElectronic books. _93294
710	2		_aIEEE Xplore (Online Service), _edistributor. _924924
710	2		_aMIT Press, _epublisher. _924925
856	4	2	_3Abstract with links to resource _uhttps://ieeexplore.ieee.org/xpl/bkabstractplus.jsp?bkn=7845160
942			_cEBK
999			_c73472 _d73472