000			03481nam a2200481 i 4500
001			8925388
003			IEEE
005			20220712204944.0
006			m o d
007			cr |n|||||||||
008			200108s2019 mau ob 001 eng d
020			_a9780262355872 _qelectronic bk.
020			_z0262355876 _qelectronic bk.
020			_z9780262043175
035			_a(CaBNVSL)mat08925388
035			_a(IDAMS)0b0000648baaf9ac
040			_aCaBNVSL _beng _erda _cCaBNVSL _dCaBNVSL
043			_aa-cc---
050		4	_aTK5105.8867
082	0	4	_a006.7 _223
100	1		_aLi, Luzhou, _eauthor. _925765
245	1	0	_aZoning China : _bonline video, popular culture, and the state / _cby Luzhou Li.
264		1	_aCambridge : _bThe MIT Press, _c2019
264		2	_a[Piscataqay, New Jersey] : _bIEEE Xplore, _c[2019]
300			_a1 PDF (264 pages).
336			_atext _2rdacontent
337			_aelectronic _2isbdmedia
338			_aonline resource _2rdacarrier
490	1		_aInformation policy series
506			_aRestricted to subscribers or individual electronic text purchasers.
520			_aAn examination of "cultural zoning" in China considers why government regulation of online video is so much more lenient than regulation of broadcast television. In Zoning China, Luzhou Li investigates why the Chinese government regulates online video relatively leniently while tightly controlling what appears on broadcast television. Li argues that television has largely been the province of the state, even as the market has dominated the development of online video. Thus online video became a space where people could question state media and the state's preferred ideological narratives about the nation, history, and society. Li connects this relatively unregulated arena to the "second channel" that opened up in the early days of economic reform���opiracy in all its permutations. She compares the dual cultural sphere to China's economic zoning; the marketized domain of online video is the cultural equivalent of the Special Economic Zones, which were developed according to market principles in China's coastal cities. Li explains that although the relaxed oversight of online video may seem to represent a loosening of the party-state's grip on media, the practice of cultural zoning in fact demonstrates the the state's strategic control of the media environment. She describes how China's online video industry developed into an original, creative force of production and distribution that connected domestic private production companies, transnational corporations, and a vast network of creative labor from amateurs to professional content creators. Li notes that China has increased state management of the internet since 2014, signaling that online and offline censorship standards may be unified. Cultural zoning as a technique of cultural governance, however, will likely remain.
530			_aAlso available in print.
538			_aMode of access: World Wide Web
588	0		_aTitle from details screen.
650		0	_aInternet videos _xLaw and legislation _zChina. _925766
651		7	_aChina. _2fast _95744
655		4	_aElectronic books. _93294
710	2		_aIEEE Xplore (Online Service), _edistributor. _925767
710	2		_aMIT Press, _epublisher. _925768
830		0	_aInformation policy series. _921521
856	4	2	_3Abstract with links to resource _uhttps://ieeexplore.ieee.org/xpl/bkabstractplus.jsp?bkn=8925388
942			_cEBK
999			_c73616 _d73616