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020 _a9789811029516
_9978-981-10-2951-6
024 7 _a10.1007/978-981-10-2951-6
_2doi
050 4 _aTA365-367.5
072 7 _aTTA
_2bicssc
072 7 _aTEC001000
_2bisacsh
072 7 _aTTA
_2thema
082 0 4 _a620.2
_223
245 1 0 _aMusical Instruments in the 21st Century
_h[electronic resource] :
_bIdentities, Configurations, Practices /
_cedited by Till Bovermann, Alberto de Campo, Hauke Egermann, Sarah-Indriyati Hardjowirogo, Stefan Weinzierl.
250 _a1st ed. 2017.
264 1 _aSingapore :
_bSpringer Nature Singapore :
_bImprint: Springer,
_c2017.
300 _aVII, 412 p. 95 illus., 50 illus. in color.
_bonline resource.
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
520 _aBy exploring the many different types and forms of contemporary musical instruments, this book contributes to a better understanding of the conditions of instrumentality in the 21st century. Providing insights from science, humanities and the arts, authors from a wide range of disciplines discuss the following questions: · What are the conditions under which an object is recognized as a musical instrument? · What are the actions and procedures typically associated with musical instruments? · What kind of (mental and physical) knowledge do we access in order to recognize or use something as a musical instrument? · How is this knowledge being shaped by cultural conventions and temporal conditions? · How do algorithmic processes 'change the game' of musical performance, and as a result, how do they affect notions of instrumentality? · How do we address the question of instrumental identity within an instrument's design process? · What properties can be used to differentiate successful and unsuccessful instruments? Do these properties also contribute to the instrumentality of an object in general? What does success mean within an artistic, commercial, technological, or scientific context?
650 0 _aAcoustical engineering.
_99499
650 0 _aAcoustics.
_919841
650 0 _aMusic.
_933537
650 0 _aSignal processing.
_94052
650 0 _aMultimedia systems.
_911575
650 1 4 _aEngineering Acoustics.
_931982
650 2 4 _aAcoustics.
_919841
650 2 4 _aMusic.
_933537
650 2 4 _aSignal, Speech and Image Processing .
_931566
650 2 4 _aMultimedia Information Systems.
_931575
700 1 _aBovermann, Till.
_eeditor.
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_4http://id.loc.gov/vocabulary/relators/edt
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700 1 _ade Campo, Alberto.
_eeditor.
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_4http://id.loc.gov/vocabulary/relators/edt
_963239
700 1 _aEgermann, Hauke.
_eeditor.
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_4http://id.loc.gov/vocabulary/relators/edt
_963240
700 1 _aHardjowirogo, Sarah-Indriyati.
_eeditor.
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_4http://id.loc.gov/vocabulary/relators/edt
_963241
700 1 _aWeinzierl, Stefan.
_eeditor.
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_4http://id.loc.gov/vocabulary/relators/edt
_963242
710 2 _aSpringerLink (Online service)
_963243
773 0 _tSpringer Nature eBook
776 0 8 _iPrinted edition:
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776 0 8 _iPrinted edition:
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776 0 8 _iPrinted edition:
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856 4 0 _uhttps://doi.org/10.1007/978-981-10-2951-6
912 _aZDB-2-ENG
912 _aZDB-2-SXE
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