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020 _a9783031023200
_9978-3-031-02320-0
024 7 _a10.1007/978-3-031-02320-0
_2doi
050 4 _aTK5105.5-5105.9
072 7 _aUKN
_2bicssc
072 7 _aCOM043000
_2bisacsh
072 7 _aUKN
_2thema
082 0 4 _a004.6
_223
100 1 _aO'Connor, Brian C.
_eauthor.
_4aut
_4http://id.loc.gov/vocabulary/relators/aut
_984321
245 1 0 _aVideo Structure Meaning
_h[electronic resource] /
_cby Brian C O'Connor, Richard L. Anderson.
250 _a1st ed. 2019.
264 1 _aCham :
_bSpringer International Publishing :
_bImprint: Springer,
_c2019.
300 _aXIX, 79 p.
_bonline resource.
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
490 1 _aSynthesis Lectures on Information Concepts, Retrieval, and Services,
_x1947-9468
505 0 _aPreface -- Acknowledgments -- Introduction -- Five Stories to a Model of Video Structure -- Coda: Provocations on Filmic Retrieval, Hunting, Meandering, and Browsing -- Bibliography -- Author Biographies .
520 _aFor over a century, motion pictures have entertained us, occasionally educated us, and even served a few specialized fields of study. Now, however, with the precipitous drop in prices and increase in image quality, motion pictures are as widespread as paperback books and postcards once were. Yet, theories and practices of analysis for particular genres and analytical stances, definitions, concepts, and tools that span platforms have been wanting. Therefore, we developed a suite of tools to enable close structural analysis of the time-varying signal set of a movie. We take an information-theoretic approach (message is a signal set) generated (coded) under various antecedents (sent over some channel) decoded under some other set of antecedents. Cultural, technical, and personal antecedents might favor certain message-making systems over others. The same holds true at the recipient end-yet, the signal set remains the signal set. In order to discover how movies work-their structure and meaning-we honed ways to provide pixel level analysis, forms of clustering, and precise descriptions of what parts of a signal influence viewer behavior. We assert that analysis of the signal set across the evolution of film-from Edison to Hollywood to Brakhage to cats on social media-yields a common ontology with instantiations (responses to changes in coding and decoding antecedents).
650 0 _aComputer networks .
_931572
650 1 4 _aComputer Communication Networks.
_984323
700 1 _aAnderson, Richard L.
_eauthor.
_4aut
_4http://id.loc.gov/vocabulary/relators/aut
_984324
710 2 _aSpringerLink (Online service)
_984327
773 0 _tSpringer Nature eBook
776 0 8 _iPrinted edition:
_z9783031002274
776 0 8 _iPrinted edition:
_z9783031011924
776 0 8 _iPrinted edition:
_z9783031034480
830 0 _aSynthesis Lectures on Information Concepts, Retrieval, and Services,
_x1947-9468
_984328
856 4 0 _uhttps://doi.org/10.1007/978-3-031-02320-0
912 _aZDB-2-SXSC
942 _cEBK
999 _c85648
_d85648